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In Vanda's Room is a docufiction film by Portuguese director Pedro Costa. Contents. [hide]. 1 Overview; 2 Acclaim; 3 See also; 4 Notes; 5 External links. Overview. The film follows the daily life of Vanda Duarte, a heroin addict, in the shanty outskirts of Lisbon. The film's focus is also on the community of the district and its. No Quarto da Vanda (original title) The film follows the daily life of Vanda Duarte, a heroin addict in Lisbon, and the community she lives in. In Vanda's Room is not about consumption of the body, it's about what roots us here on this earth. 5 Jul One look at the appalling slum where Pedro Costa has set In Vanda’s Room seems comment enough. The Vanda of the title is Vanda Duarte, a drug addict with whom Costa worked on his previous film, Ossos. The film’s most wrenching scene features Vanda talking to a childhood friend.
17 Sep But at the words "Pedro Costa", they flinch. A haunted look comes into their eyes. Now, I can understand this. But considering the arc represented by Costa's major features O Sangue, or Blood (), Ossos, or Bones (), No Quarto Do Vanda, or In Vanda's Room () and Juventude Em Marcha. There is a real-life Vanda Duarte, and for most of Pedro Costa's grimly majestic feature, from , she's in her dimly lit room in her family's cramped home in Fontainhas, a labyrinthine and dilapidated Lisbon district that's undergoing demolition in advance of urban renewal. Vanda is a drug addict—she smokes crack. 29 Dec But under Pedro Costa's exacting and inspired direction, In Vanda's Room (No Quarto da Vanda, ) becomes an engrossing experience, a hypnotic glimpse into an insulated, hellish world on the far-flung margins of everyday society and the recesses of most social attention. As the heroin-loving heroine.